Biography of Ernest Miller Hemingway Essay -- Hemingway American Write

Biography of Ernest Miller Hemingway Ernest Miller Hemingway was an American novelist, journalist, writer of short stories, and winner of the 1954 Nobel Prize for literature. He created a distinguished body of prose fiction, much of it based on adventurous intent. He was born on July 21, 1899, the second of six children, in Oak Park, Ill., in a house built by his widowed grandfather, Ernest Hall. Oak Park was a Protestant, upper middle class suburb of Chicago. He died on July 2, 1961.Early long time Hemingway stated in Green Hills of Africa that civil war is the best war for a writer. Both of his grandfathers fought in the cultivated War and the family was proud of its military traditions. The Hemingway children were brought up on heroic tales of the Civil War. Ernest was also fascinated by the wars and heroes at the turn of the century the Spanish-American War (1898), the Goer War (1899-1902) and the Russo-Japanese War (1904-05), which inspired him to intoxicate military cartoons. Ernest love to read the Old Testament when he was a boy because it was so full of battles. (Meyers 3) Ernest Hemingways maternal grandfather was Ernest Hall, who was injured in the Civil War. He tried to shoot himself when he was near death, but Hemingways father had removed the bullets from his crap-shooter. Ernest was six years old at the time, and thought his father shouldnt wee-wee prevented his grandfather from committing suicide. His paternal grandfather was Anson Hemingway. He was a formal, serious, and deeply religious man who was active in the temperance movement. He established a golden real-estate business. Both families were prosperous. Hemingways parents were Clarence Edmonds Ed Hemingway and Grace Hall. They had a fairly happy marriage although they were very different. Grace was the dominant nonpareil in the marriage. Hemingway was an active, imaginative, and fearless youngster. He state at an early age that he wasnt afraid of anything. H e was aggressive, self-confident, and had a tendency to exaggerate. His mother said that he delighted in shooting ideational wolves, bears, lions, buffalo, etc., and liked to pretend he was a soldser. She also said he threw temper tantrums if he didnt get his way. (Meyers 9) Hemingways mother, Grace was an accomplished singer and at one time wanted a career on stage. She settled for being a wife and mo... ...wn the carpeted stairway. He went down into the basement and unlocked the gun storage room. He chose a double-barreled Boss shotgun, took some shells from one of the boxes, climbed back upstairs to the front foyer, slipped in two shells, lowered the gun hindquarters carefully to the floor, leaned forward, pressed the twin barrels against his forehead just above the eyebrows, and tripped both triggers. (Baker 563-64) After the electric-shocks his memory was fried by attempts to burn the depression expose of his brain. With memory went insight and motivation to write. A whole universe of mourning descended. A depression that couldnt be killed by electrical pulses. Only the double fisted ruckle of lead would do. He couldnt write any more. His guard was down. The last punch was a knockout. He loved to drink, hunt, and gamble. He loved beautiful women and moments of purity. He loved the company of trusted friends. He loved bullfights, boxing, rivalry and rebellion. He loved so many things so deeply. He overflowed, spilling them onto the page - through his fingertips - he inhaled life and exhaled words. They were the same to him. Now hes holding his breath forever. (Hoerman 2-3)

Caviar Essays -- essays research papers

caviarSettlers of America discovered sturgeon to be the most prolific fish of the North American continent. In the inception of 19th century, the United States was the major producer of caviar in the world and produced 90% of the worlds caviar.The American caviar industry got started when Henry Schacht, a German immigrant, undefended a business catching sturgeon on the Delaware River. He treated his caviar with German salt and exported a great deal of it to Europe. At around the very(prenominal) time, sturgeon was fished from the Columbia River on the west coast. At one time, caviar was so common in America. It was served in saloons to encourage thirsty drinkers. Hudson River sturgeons were so plentiful that the word form was referred to as "Albany beef." A nickel could get you a serving of the best caviar available in New York, and many of the most squander establishments, including the Waldorf Astoria, offered free-flowing caviar as an amuse-bouche opening to an eleg ant meal. Caviar was also a common food in California during the gold rush days.Recently, the United States has make a strong comeback in caviar production.The U.S. Goverment says that the roe of sturgeon may be called simply "Caviar," whereas the roe of other fish can be called "Caviar" only if the name of the fish comes first. The following is a descriptive list of caviars made from American fresh water fish American Sturgeon - Sturgeon resemble a prehistoric creature, but they are actually t...

In the Heart of the Sea Essay example -- essays research papers

In the Heart of the SeaWhat caused an 85 ton Sperm whale to crash into the side of the Essex, causing one of the most pitch-black and tragic accidents in maritime history? Was this a calculated attack? Did it see the whaling ship as an unwanted rival in its territory? Did the clustering of the Essex have anything to do with the whales sporadic behavior? Or was this simply an unexplainable act of natures unpredictability?On November 20, 1820 the crew of the Essex spotted an comical flock, an extremely large bull. The men estimated it to be about eighty-five feet long and weigh approximately eighty tons. However it was not only the large sight of the whale that alarmed the men, but it was its strange behavior. Instead of fleeing in panic, it was floating quietly on the surface of the water supply, puffin occasionally through its blowhole, as if it were watching them. after(prenominal) spouting two or three times, the whale dove then surfaced about 35 yards from the ship (81). Af ter diving the whale began to do the frightful it began to charge the Essex, Its twenty foot-wide tail pumped up and down slowly at first, with a slight side to side waggle, it picked up speed until the water crested around its massive barrel shaped head. It was aimed at the Essexs port side (81). Upon noticing that the whale was going to ram into the ship the captain gave the instal to pull the helm hard up to prevent a direct hit however the order was given to late the whale it the shi...

Police Corruption :: Law Enforcement Corruption

Police corruption is a complex phenomenon, which does notreadily submit to simple analysis. It is a problem that has and will continue to affect us all,whether we are civilians or law enforcement officers. Since its beginnings, may aspects ofpolicing pee changed however, one aspect that has remained relatively unchanged is theexistence of corruption. An examination of a local newspaper or any police-related publicationon any given day will have an article about a police officer that got busted committing round kindof corrupt act. Police corruption has increased dramatically with the illegal cocaine trade, withofficers acting alone or in-groups to steal money from dealers or air cocaine themselves.Large groups of corrupt police have been caught in New York, New Orleans, Washington,DC, and Los Angeles. Methodology Corruption within police departments falls into 2 canonicalcategories, which are external corruption and internal corruption. In this report I will concentrateonly on ex ternal corruption because it has been the larger common snapping turtle of attention recently. I havedecided to include the fairly recent accounts of corruption from a few major cities, mainly NewYork, because that is where I have lived for the past 22 years. I compiled my schooling fromnumerous articles written in the New York Times over the last 5 years. My definitionalinformation and background data came from various books cited that have been written on theissue of police corruption. Those books helped me create a basis of just what the different typesof corruption and deviancies are, as well as how and why corruption happens. The books werefilled with useful insight but were not update enough, so I relied on the newspaper articles toprovide me with the current, and regional information that was needed to complete this report.In simple terms, corruption in policing is usually viewed as the misuse of authority by a policeofficer acting officially to fulfill personal needs or w ants. For a corrupt act to occur, three distinctelements of police corruption must be save simultaneously 1) misuse of authority, 2) misuseof official capacity, and 3) misuse of personal attainment. (Dantzker, 1995 p 157) It can besaid that power inevitably tends to corrupt, and it is yet to be accepted that, while there is noreason to suppose that policemen as individuals are any less fallible than other members ofsociety, people are often floor and outraged when policemen are exposed violating the law.The reason is simple. There deviance elicits a special feeling of betrayal. Most studies support

Film Autuerism Essay -- essays papers

Film AutuerismAuteurism is a term first coined by Francois Truffaut to describe the mark of a claim director on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In other words, much exchangeable hotshot can look at a painting and tell if it is a Monet, a Renoir, or a Degas, if a film director is an auteur, one can look at his film and tell by style and recurring themes that it was made by a certain director. In auteur films, the director is numerous times what brings an auditory sense to the theater, instead of the actors or storyline. I am going to take a look at three of the most noted auteurs Frederico Fellini, Satyajit Ray, and Alfred Hitchcock.I watched five of Frederico Fellinis films La dolce Vita, 8-1/2, Juliet of the Spirits, La Strada, and City of Women. In all of these films, I noticed Fellinis enormous use of imagery, which of course he is most noted for. However, I also noticed a recurring set of character archetypes. These archetypes are the call down object, the wife, and the typical man.First, we see the use of the sex object in 8-1/2. The young boy and his champions encounter the whore. With this encounter we see that a tangled batch of emotions, delight, cruelty, wonder, scaredness, and finally guilt. This scene is a perfect slip of sexual awakening. The whores sexuality and the boys responses to it are shown with crosscuts between her suggestive motions and their shock and ultimate joy. When she invites the boy to come closer, he has mixed feelings, but is ultimately pressured by his friends. Fellini finishes this episode perfectly- the boys are caught red-handed by adults. In City of Women similar experience is portrayed. This time it is with a loving enate figure. The young boy is confused when returning her affections- he has a mix of sexual excitement and shameless affection. The camera angle is that of a childs view, and he looks at her exposed cleava ge and her open skirt crossed with cuts of her strong arms and her continuing maternal household duties and her embrace. In La Dolce Vita, the sexual object is in a more complex relationship with the man. She is not only an object of desire, and sexual partner, but she is also a friend and confidant of the main character.The second character type that Fellini portrays in several of his films is the wife. In 8-1... ...pless when she puts herself in harms way. Stylistically, this movie was one of Hitchcocks famous experiments. Almost the undefiled movie is shot in the main characters apartment and out of his apartment window. Finally, I watch North by Northwest. In this film as with many of his others including Vertigo and Rear Window, Hitchcock sets up his hero as being the only one who knows the truth, that way he is the sane one and the audience sympathizes. Also real Hitchcockian is that the main character becomes the detective. Stylistically, the audience stays with the main c haracter, only knowing as much as he does. As with twain Frederico Fellini and Satyajit Ray, there is no denying Hitchcocks autuerism. When a movie of his begins, there is no doubt from the very beginning as to who may have directed it.Auteurism is a very important aspect to analyzing film. When a director is an auteur, he not only has films that are easily recognized as his, but also he has odd his mark on film history. Three important auteurs are Frederico Fellini, Satyajit Ray, and Alfred Hitchcock. All three of these directors have specific styles and recurring themes that they have made their trademark.

Film Autuerism Essay -- essays papers

Film AutuerismAuteurism is a term first coined by Francois Truffaut to describe the mark of a movie manager on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In separate words, much like one can look at a painting and tell if it is a Monet, a Renoir, or a Degas, if a film director is an auteur, one can look at his film and tell by style and recurring themes that it was make by a certain director. In auteur films, the director is many times what brings an audience to the theater, instead of the actors or storyline. I am going to take a look at three of the approximately noted auteurs Frederico Fellini, Satyajit Ray, and Alfred Hitchcock.I watched five of Frederico Fellinis films La Dolce Vita, 8-1/2, Juliet of the Spirits, La Strada, and City of Women. In all of these films, I noticed Fellinis enormous rehearse of imagery, which of course he is most noted for. However, I overly noticed a recurring se t of character archetypes. These archetypes are the sex object, the wife, and the typical man.First, we train the use of the sex object in 8-1/2. The young boy and his friends encounter the whore. With this encounter we see that a mixed batch of emotions, delight, cruelty, wonder, scaredness, and finally guilt. This scene is a perfect example of sexual awakening. The whores sexuality and the boys responses to it are shown with crosscuts between her suggestive motions and their shock and ultimate joy. When she invites the boy to induce closer, he has mixed feelings, but is ultimately pressured by his friends. Fellini finishes this episode perfectly- the boys are caught red-handed by adults. In City of Women similar experience is portrayed. This time it is with a loving maternal figure. The young boy is confused when returning her affections- he has a mix of sexual excitement and shameless affection. The camera angle is that of a childs view, and he looks at her exposed cleavage and her open skirt crossed with cuts of her strong arms and her continuing maternal household duties and her embrace. In La Dolce Vita, the sexual object is in a more complex relationship with the man. She is not only an object of desire, and sexual partner, but she is likewise a friend and confidant of the main character.The second character type that Fellini portrays in several of his films is the wife. In 8-1... ...pless when she puts herself in harms way. Stylistically, this movie was one of Hitchcocks known experiments. Almost the entire movie is shot in the main characters apartment and out of his apartment window. Finally, I watch North by Northwest. In this film as with many of his others including Vertigo and Rear Window, Hitchcock sets up his hero as being the only one who knows the truth, that way he is the in his right mind(predicate) one and the audience sympathizes. Also very Hitchcockian is that the main character becomes the detective. Stylistically, the audience st ays with the main character, only knowing as much as he does. As with both Frederico Fellini and Satyajit Ray, there is no denying Hitchcocks autuerism. When a movie of his begins, there is no doubt from the very beginning as to who may have order it.Auteurism is a very important aspect to analyzing film. When a director is an auteur, he not only has films that are easily recognized as his, but also he has left his mark on film history. Three important auteurs are Frederico Fellini, Satyajit Ray, and Alfred Hitchcock. All three of these directors have specific styles and recurring themes that they have made their trademark.